Between 1985 and 2018, Nelson Felix carried out a continuous and unique work that was developed by uniting and relating various internal and external spaces. In this structure, the artist interwoven exhibitions, sculptures, meanings; it deliberately blurred the beginning and end of works, linking them to objects, photographs, displacements, angles, landscapes. Coordinates and locations conceptually irrigate the exhibition space and often position or define elements specific to sculpture such as form, material, proportion, weight or rhythm. To expose this continuity, the artist chooses the book. In this environment, the process of perception of time and space that this structure requires can be discussed. For Nelson, the absence of text and the excessive presence of drawings - this graphic and also poetic choice -, aim at the possibility of addressing this totality of movement, ignoring and touching the discourse. Portuguese. 320 pages.